Recording Setup
How Recording Works
- A microphone turns sound waves into an electric signal.
- Analog recording stores the whole wave as a magnetic pattern or a groove.
- Digital recording uses an analog-to-digital converter (ADC) to measure the wave thousands of times a second and store it as 1s and 0s. In our room, the audio interface is the ADC. That is why a digital recording can be copied forever without getting worse.
- Sampling frequency is samples per second; sampling precision is how many numbers describe each sample’s height.
What Makes a Clean Take
- Quiet room. The mic records everything, including the table next to you. Only one mic per table, and you are silent when it is not your turn.
- Distance. About six inches. Too far is thin; too close is boomy.
- Headroom. Set the gain so the meter moves but never hits red. Red is clipping, and a clipped take cannot be fixed.
- Gain
- How much the interface boosts the mic. The small knob on the interface.
- Headroom
- The space between your loudest peak and red.
Set gain for the loudest sound you plan to make, then leave it alone.
Set Up
- Metal desktop stand flat on the table.
- Mount the mic on the stand.
- XLR cable from the mic to an input on the audio interface. Push until it clicks.
- Interface USB to the computer. Gain knob all the way down.
- In Soundtrap, open or create the project the lesson names. Add a Voice & Mic track and set its input to the interface.
- Say “check.” Turn the gain up until the meter moves — into the yellow, never red.
Meter not moving? Check both XLR ends, that the gain is on the right input, and the Soundtrap input setting.
The Take Protocol
Every take: say “quiet, recording” → one second of silence → the sound or the line → one second of silence → stop. Listen back with headphones. Bad take? Delete it and go again.
For a script: record one section at a time, not the whole thing in one take. If you make a mistake, do not stop — be silent for three seconds, then re-read the line. The silence is where you will cut later.
Tear Down
- Save.
- Turn every gain knob on the interface back to zero.
- Unplug the XLR — press the tab and pull the connector, never the cable.
- Take the mic off the stand.
- Coil the cable in loose loops. Everything back where it came from.
Vocabulary
See Podcast Vocabulary for microphone, audio interface, XLR, and the rest.
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